We look at each other; see that we do not know each other, stare, and go off. Such looks are lashes. I feel the whole cruelty and indifference of the world in them.

(Source: thehighroller5, via uqlyqirl)

descroissants:

Standing half nude with a brown shirt

Egon Schiele, 1913

(via svell)

descroissants:

Standing half nude with a brown shirt
Egon Schiele, 1913

anemolia:

Lara Stone in Vogue Netherlands May 2012 by Josh Olins

(via calicide)

anemolia:

Lara Stone in Vogue Netherlands May 2012 by Josh Olins

(Source: residyke, via viruela)

letterstomycountry:

Apropos of this recent post about Male objectification, I happened upon Hugo Schwyzer’s March 2011 article at the Good Men Project reflecting on male body image issues:

In sixth grade, the same year that puberty hit me with irrevocable force, I had an art teacher, Mr. Blake…[who said]…

the60livehere:

Les yeux sans visage, directed by  Georges Franju, 1960

(Source: anormaux, via espergesia)

the60livehere:

Les yeux sans visage, directed by  Georges Franju, 1960

6in:

Marina Abramovic, Art Must Be Beautiful, Artist Must Be Beautiful, 1975

(via sardiines)

6in:

Marina Abramovic, Art Must Be Beautiful, Artist Must Be Beautiful, 1975

(Source: sweetbabytee, via grossmagic)

i’m a mean jerkface

eaedwards:

Claude Cahun

Cahun’s main themes generally focus on gender and sexuality.  Her work has influenced countless women photographers to incorporate politically relevant messages into their work. 

I am fond of the way Claude makes surreal self-portraits.  I think her work is a great way to look at original self-portraits.   

thepowerofart:

Barbara Kruger, Your Gaze Hits the Side of My Face, 1981.

thepowerofart:

Barbara Kruger, Your Gaze Hits the Side of My Face, 1981.

elisebrown:

by Rafael de Latorre

(via dyspnoeic)

elisebrown:

by Rafael de Latorre
splitpeavintageblog:

by Padawan

(Source: kylegage, via sadash)